Category Archives: Poems

the mother of invention :

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I need the stars to take my mind off you
I need the Hellenistic drift of rife
yonder tenets swimming their own blank tract
resolutely, soon drowned out by the sun

I need insomnia and satellites
I need afflictions with post-modern heads
stationed nightly watch across obsessions
unhinged, unmoved by Psyche given space

I need angelic choirs led on by God
I need a pantheon of sound refrains
or anything you think instrumental
noted directly, to replace your myths

I need the swiftest arrows cast like nails
I need for Eros to build love’s walls so
I may have one thing other than your eyes
upon waking, to call my solid home

I need eternal words to burn away
I need brief annotations read aloud
thundering into existence and then
silence, rest, from all we spoke years ago

 Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

cantabile :

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all cantabile moan, glory inflection
twisting barstools spin rack and pinion bards
where so bathed in creamy disaffection
language dismantled and spoken in shards
to circus-wire alarm, clockwork applause
chronograph polish of suitable sheen
mechanics in disrepair, praise jigsaws
where gears of luster motion or careen
to occupations we would make our own
sweating at heights we doubt we are made for
at home in costumes we hope will atone
us more than a passion played saviour
as time never prays for timely careers
as songs only play as prayers on deaf ears

 Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

(stephen) FRY

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Rosso Corsa in your midday complexion
you spoke no names for the bones in your hand
fire engine dashes, notes bled in the margin
out of hand, on the town, siren brain scan
like some bottled Venetian, whistling rages
you waited there like a red tea kettle
you waited in your unread paper pages
sipping rooibos, writing, tense, plural
‘life is ruled by fortune, not wisdom’, you sigh
noble o’er a vermilion keepsake
on the same day you find out you are like Fry
it’s in your bones and it’s a lucky break
toasting Sangria, there’s nothing to rupture
and you speak no names for the brightest colour

Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

a front man framed :

afrontmanframed

now a front man orphan for stardom frames
that drag your demons through a pardoned lens
behind sunglasses, slang and soundstripe aims
carefully adopted by stage-hand friends
or the rough canvas company of trade
who court you in bright palette affection
cast you in statue like sculptors of fate
escorts in some artistic discretion
a shape, a slingshot, a target, a band
unearthing buried talents on the bone
cameras the spitting image in hand
to capture the moment you’re first alone
perfectly evolved on spotlight stages
for a syllable birth on microphone
a hand-crafted word from empty pages
with a beautiful face we call our own

 Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

(shawn) BEAUVILLE

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on tour- out on the towns- left for invoking
old smells of someone you once loved, or love
still, or never had the chance to really love
in the way you imagined real love
to feel- a highway collision you passed

down the same handle- you stir- a firm grip
upon a mystic country ladle that
brews the salt grime gumbo magic of life
in a giant cast iron pot with a fire
underneath that smokes out demons for dinner

you kick- away clutter on the table- a gnawing sound
(a 1914 Indian V-twin electric start, you make your way)
calling hungry gods in with debut whispers of a sinner
(and you are better when you are not just spinning your wheels)

I hum your asphalt chorus- when you move across
small kitchens to span living rooms, life spans
waft, I write about you with Eternity over my shoulder
you shake the hands of every clock, and I am watching
you decipher everything from neon signs on the wall
and name every colour before you blackout on fire escapes
as you climb small bars to the top
to find a place of articulation, all with
a name you made up, or are making up
still, a different answer every time you are asked
-where did it come from?

a crack in the sidewalk the whole world grew out of
(a 1968 Les Paul custom electric, you break your way)
supplanting cities, America under your fingernails
(and you are better when you are stringing me along)

in the growing- body of a nation- globally adolescent
for a bite, let mortal tongues awake
I can hear you sing this country
in a blind taste test to win a future
I could convince you to have, or can convince you
still, that our human fruits are the salt of the earth
I said to you- We are going places

but there are no winners for solving life at all
it’s there to seep into our limbs, a secret ingredient
a fricassee over broken bread or a holy whine
life! every name we made up in the book
-it doesn’t matter which you heard!
no one has the answer for the chew
Life!- where did it come from?
Some place old. Some place new.
You said to me- Places are never the same.

Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

these relics :

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holy cobweb fanatic! there’s religion in my attic
rusty suitcase diplomatic in locked methods socratic
to old radio static from pulpit pastimes erratic
left ageless, these relics and sour sainted faceless
in redeemable disgrace otherwise chewed tasteless
upstairs suffocating in vintage lace, in convictions baseless
sheepish songbook lines under the staff of blood bible story wines
that combined failed in soul-saving ways to convey godly signs
unrefined in mothball maturity, in musty missionary minds
forgiven by a sinner’s touch, not a sinner by all that much
for sifting in treasures balanced lonely on a shepherd’s crutch
angel battered and faith shattered and forgiven as such

 Copyright © 2015 · Elizabeth Ganot · All Rights Reserved · 

reception :

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we apperceive in caprice, cirrus clouds
of weathering draft visions in assent
political hiked climates, forecast crowds
allows a connotative diffident
assimilation, nature we augment
near hearts, ‘the waiting room’ where we accept
it when a stranger forces our consent
we ‘wait outside’, immutable precept
providing no capacity, concept
of raising a civil voice (do not yell!)
at the reception, uncivilly kept
what’s the typical wait time? (time will tell?)
though we knew this watch was wrong in our chest
waiting for reception, we did not rest

 Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·

at the piano:

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the largest silver ring my father wore
for his entire life on one hand passed soon
from hands to mine, what earthly metal rub
for me to wear- as if I were a man
in measures well composed to a Titan scale
broadening to my own fingernail’s length
disproportionate to the human hand
my flesh is heir to, thick as stolen cake
I was not to eat before I was eight
What man wore this? I slip it on my thumb
but no, it’s still too big- and everyone
is always telling me I have large hands
an easy octave stretch, such a wide reach
good at the piano, all those awards
I was not to win before I was one
more seasoned to competition’s rough strains
all hasty merits- welcome before life
rethinks our resolutions in a range
of three decades, it seems illogical
to think now I might ever wear this ring
no fate reached in size myself, no matter
how far my reach extends, but no matter
Chopin wrote so my fingers overthrow
the question
in measures well composed to a Titan scale

Copyright © 2015 · Elizabeth Ganot · All Rights Reserved ·